
Influencer and businessman Shelby Sacco’s lawsuit against Memore, Inc. and its executive Brad Lepczyk swiftly transcended into a cultural moment that demonstrated how creators are redefining business standards. The lawsuit, which was filed in late 2023, claimed mismanagement and breach of contract related to her professional partnership with the supplement company, indicating a growing dissatisfaction among digital creators who want credit for their work.
Sacco asserted through her business, Sad to Savage, LLC, that she should have received a substantial payment for her brand partnerships and marketing efforts. According to court allegations and extensive discussion on Reddit’s r/tiktokgossip, the agreement was mostly founded on verbal commitments, some of which were even recorded in text messages attesting to monthly payments of about $30,000. It depicted a creator negotiating the hazy boundary between documentation and trust, which was both relatable and sobering.
| Field | Information |
|---|---|
| Plaintiff | Shelby Sacco and Sad to Savage, LLC |
| Defendant | Brad Lepczyk and Memore, Inc. |
| Case Number | 2:23-cv-12847 |
| Court | U.S. District Court for the Eastern District of Michigan |
| Judge | Stephen J. Murphy III |
| Case Type | Breach of Contract (28 U.S.C. § 1330) |
| Status | Dismissed without prejudice; consent judgment filed October 2024 |
| Reference | Justia Docket |
According to the documents, the case—Sad to Savage, LLC et al v. Lepczyk et al.—went through phases of mediation and discovery in 2024. Despite being procedural, the proceedings made clear the complex power relationships forming influencer alliances. The court sent the parties to mediation by the middle of the year, after scheduling orders and protective agreements had been established. A few months later, however, the docket showed an unexpected development: a dismissal without prejudice followed by a consent judgment that suggested a peaceful resolution.
This conclusion felt necessary but anticlimactic to many of her supporters. Shelby’s tone became noticeably reflective on TikTok. She seemed composed but determined in one video, “Understanding My Lawsuit Journey and Lessons Learned,” speaking not as a victim but as someone who was resolved to grow from the experience. In another video, she declared, “I’ve never felt better,” announcing her engagement and a move to a new house—possibly a sign of closure.
Her optimism is part of a broader discussion about influencer marketing fairness. Even when both parties are initially enthusiastic, these unofficial agreements can be extremely fragile, as the Shelby Sacco lawsuit demonstrated. No matter how well-meaning, promises can vanish as quickly as an Instagram story in the fast-paced world of the internet. Without explicit contracts, artists run the risk of losing ownership of their creative influence in addition to their earnings.
Younger entrepreneurs, who view Sacco as one of a growing number of self-built brands, were also moved by this case. Her business, Sad to Savage, had established a reputation for genuineness by providing inspirational content that connected with viewers who yearn for self-improvement without perfection. Fans viewed the breakdown of her partnership with Memore as a test of integrity in an industry where personal credibility is valuable, rather than just a business dispute.
Spectators pointed out that her lawsuit could affect the nature of future partnerships. It may set a precedent for creators who use digital communications to prove contract terms, according to legal experts. One analyst said, “This case reminds us that in today’s economy, a handshake may no longer be enough.” The idea is straightforward but incredibly creative: the influencer economy needs to function with the same rigor as traditional business if it is to prosper.
This sentiment was even expressed by Reddit users who closely followed the story. “What they did was so wrong, and any human can see how they wronged Shelby,” one commenter said. Others questioned whether verbal agreements could actually stand up, highlighting how strongly this case resonated with independent contractors, freelancers, and small business owners who have faced comparable difficulties. They owe her at least $250k.
A deeper trend emerged from the social media response as well: a move toward understanding influencers as entrepreneurs. For many years, the general public saw artists as the recipients of easy fame. But Sacco’s story, notably amplified across platforms, showcased the less glamorous side—the contracts, negotiations, and emotional tolls that accompany brand partnerships. Given that public scrutiny is frequently harsher than any courtroom examination, her choice to pursue legal action was especially courageous.
Sacco seemed prepared to move on by October 2024, when the court recorded a consent judgment. The case’s dismissal without prejudice raises the prospect of further action, but it also points to a mutually agreeable solution. For her audience, however, the greater takeaway lay beyond the paperwork. Shelby provided a model for self-advocacy in a creator economy that frequently prioritizes virality over value by being resilient and open.
Her experience is representative of larger trends in the creative industries. Influencers are claiming the right to just compensation and content ownership, much like independent musicians are calling for higher streaming royalties. Even though they are gradual, these changes indicate a move in the direction of more equitable cooperation. It’s a cultural shift that redefines professional accountability in the digital age, safeguards creativity, and values authenticity.
On TikTok, Shelby thanked her fans and gave a sneak peek at her next move in an especially open moment. “I’ve never felt better—new house, newly engaged, and right out of my lawsuit,” she remarked. Her voice was upbeat but grounded, remarkably reminiscent of someone who had traversed chaos and emerged calmly on the other side.
Despite the lack of a spectacular verdict, the Shelby Sacco case was successful in bringing to light a persistent reality: creators are now entrepreneurs who oversee contracts, brands, and reputations in addition to telling stories. By advocating for herself, Sacco not only protected her own interests but also served as a role model for others negotiating the unpredictable world of online influence.
Even though her case ended quietly, it was incredibly successful in igniting a crucial discussion about justice, clarity, and the future of digital work. It pushed brands to keep their promises, urged creators to defend their rights, and reminded audiences that online success still hinges on ethics, trust, and the guts to speak up when that trust is violated.
